In the invisible places…

So starts Alice Oswald’s poem Ideogram for Green from her collection Woods etc.,

In the invisible places
Where the first leaves start
     Green breathes growth
 

I’m working on the design of a new project which is due to start on 2nd February; it is called Writing Well- Writing Green and I’m delivering it on behalf of the charity North End Writers with funding from Liverpool PCT under their innovative Natural Choices for Health grants programme.  I attended a meeting tonight bringing together all the other Liverpool groups running projects under this scheme but ours seemed to be the only one including a person-centred creative approach linking writing, education lots of different activities and art – based in the lovely Stanley Park not far from Anfield Football stadium.  The other projects probably have deeper green credentials but that’s something we can learn from their greater experience.   I want to write about this new work here – as well as ideas linked to the philosophy of Recovery in mental health and writing.  I’ve recently started a freelance job in the NHS which looks at developing organizational change implementing Recovery strategy so my reading is rather dry and governmental at the moment.  Not much sleep to be had but I rejoice in the work after so much anxiety.  Whatever 2012 brings it has me working again and my husband who had such a horrible time after being made redundant last year can stop worrying.  And I thought 2012 was going to be the end of the world…


work and sleep

Being in receipt of benefits is quite hard work especially when it means that anything I do or am asked to do has to be as a volunteer as my spouse is still unwaged after 8 months and if I decided to take pay for the work I could neither support us nor legally do so unless we relinquished our benefits in which case we’d lose the house.  And I simply do not seem to be an attractive prospect to possible employers.  I have been shortlisted once in the last 6 months and have applied for an average of one job a week.  This may sound like a feeble effort but I look for work every day and the jobs are few and far between and I simply am not prepared to work away from home (not that there are prospects to do so).  So last week I was called to an interview at the job centre.  The woman interviewing me was pleasant enough as she explained to me that our benefits would be cut if I didn’t show a willingness to work.  I felt too tired to justify myself or discuss the voluntary work I do as a writer, or the editing or my own writing – or the 6 children I’m looking after and the elderly parents John and I support.  The worst thing about it is the feeling that there’s just no point in trying any more.  I’m tired of worrying about how we’re going to pay the next phone bill or afford a new pair of shoes for the kids.  And I’m tired of being told that I undersell myself.  It’s what happens after years of people expecting you to do work for nothing and being offended when you say you can’t carry on.  If anyone out there has a job for a diligent writer/poet with lots of experience working with people with mental health support needs, dementia and brain injury – with fundraising and management experience – with editing and teaching experience.  Please let me know.  All reasonable offers considered including opportunities to read. And I’ve started thinking about rationing sleep in a more structured way – perhaps I could become a short order chef at night – but I don’t think the rates of pay are worth the sleep deprivation……..


Poetry & Motherhood

I’ve started preparing an hour and a half talk or rather tour  on the Poetics of Motherhood which is returned in the (obviously) correct phrase “poetry about motherhood.”  Only a lunatic or someone who had never heard of Helene Cixous or Kristeva could attempt any notion that the biologically determined role of mammal, albeit in human form, can be linked to a literary theory or tradition.  Consequently the organisers of the event which includes my talk sent me a blurb today which said:  This event will showcase the verse of a host of female poets who have pushed motherhood into poetic form.  Hush awhile and listen to the soothing voices of Anne Bradstreet, Anna Akhmatova, Lucille Clifton, Sylvia Plath, Adrienne Rich, Anne Sexton, Kate Clancy, Deryn Rees-Jones, Kathleen Jamie and more.….Host?……Female?   Who have PUSHED motherhood….SURELY NOT?      I corrected the text with a mixed sense of dread and nausea.  Had I not mentioned “The Pram in the Hall”  in my previous correspondence?  And what kind of sentient being could put the words hush, soothing voice and Anne Sexton in the same sentence?  I’m glad this event is some weeks away because I’m clearly going to have a hard time questioning the assertions in  Of Woman Born before a posse from the National Childbirth Trust Read-in Consortium.  Oh God.  What am I doing?  Nobody shares this view.  It’s a delusion which has been upon me since first reading Anne Bradstreet and believing that she is the Mother of American Poetry.  And rather than starting with the question on every English Literature undergraduate’s lips: Is a pen a metaphorical penis?  How about shoving that old paterfamilias – author-authority father figure off centre-stage and looking at the idea of Mother not only as the pro-creator and safeguarder of humanity’s future but as the creator of words.   Why is male sexuality so readily associated with the authority of texts when it has been always a matter of material and political power?  Can we really trust Adrienne Rich’s assertion that when she writes she writes as nobody’s mother?  Why not as everybody’s mother?

You can see my problem.  Only just beginning to get going with a polite introduction and I’d fail my exam in literary theory straight away.  I assert that the poet-mother is not an incidental figure in western literature – not a mere cipher to be pitied and wondered at but a central and glorious figure of resistance and revolution.  When Anne Bradstreet wrote her poem on the death of her daughter-in-law she wasn’t taking an afternoon off from being the angel in the house, for God’s sake!…..  It’s late….before I have a problem with my blood pressure  I have to share a wonderful line of Eavan Boland writing about Sylvia Plath (By Candlelight):

‘This is a speaker with a new kind of control: able to command the natural world because she herself is generative of it.  As a mother with her child – at the very center of the world – she can speak about seasons and times with a new freedom and invention.  Here is a female Prospero, speaking from her shipwrecked island, never doubting that the elements will obey her.

This is winter, this is night, small love -
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.”

Poetry, Unemployment & Entitlement

My mother casually told me recently that I’d wasted large amounts of my time working in useless jobs – like that “Housing rubbish.”  My mother was a teacher.  And it’s a very long time since I worked in a Local Authority Housing Department.  So long ago that Housing Departments don’t really exist now as they went the way of all decent post-war public services to leave versions of privatised Circumlocution offices where no-one can get help with housing and the forms you have to fill in are completely incomprehensible – especially to the people handing them out.  Any way, in short, my mother thinks I have served no good in the work I’ve done.  And she is rather alarmed that I’ve had 6 children in the 16 years since I’ve been married to John who is equally, in her opinion, feckless and useless not least because he didn’t even go to University.  Little surprise he’s been made redundant in my mother’s world view.  And what can I possibly expect but disappointment in my recent endeavours to get a job – my CV’s been empty for the last 16 years!  I point out that yes, I know I didn’t do teaching – and I know I have a young baby and I’m 48 but that I haven’t got many gaps.  She looks sceptical.  I remind her that I’ve brought up the kids but I’ve also been a school governor for 4 years – and worked in Research Ethics as a Lay Member for another 4 years.  ”But that’s all voluntary!  Another waste of time – fat lot of good it’s done you!”  But I had a pamphlet published, and a book….and did an MA…and a training qualification….and founded a charity….  I’m beginning to feel a little defeated.   It’s dawned on me as well as my mother that no-one’s going to employ me.  I haven’t a hope in hell with a University post.  And I’m not cut out for that in any event.  It seems very little time since I packed my bags after only 6 weeks at York University in 1981.  I recall sitting in some square faced blokes office who tutted and suggested with my background (being from Widnes and working class and female – did he mean?) that I should think of trying to do nursing.  I’d left home and had to fend for myself.  I was surrounded by failed Oxbridge bods who bragged about their failure.  All I could think about as a very lonely 18 year old was that I hadn’t even done an Oxbridge exam.  And then not being able to learn Anglo-Saxon – or believing I couldn’t do so.  I loved the escape to York and my books but left without studying Literature to work as a cleaner in a large Psychiatric Hospital.  I like cleaning.  I enjoyed physical work.   And I read poetry all the time.  Tony Harrison, Thom Gunn, Ted Hughes and  - Robert Lowell.   John Berryman, Hart Crane.  But it was Tony Harrison who always got me through.  I suppose I’m thinking about this because my eldest child is now 15 and he’s coming up to preparing for the world.  He’s bright.  Passionate about music and though I must remain loyal to my class and culture  I don’t want my able children to share my sense of being an outsider.   I want them to thrive through their talents without being materialistically ambitious or greedy.   Just as I would like to be considered for a job on my own merits.  My dear friend Jane looked at a recent application I put together.  She’s known me since I was 9 and has a fairly senior job in that London.  She approved my CV and the supporting statement.  ”Well it is all true.”  I protested.  ”Hmmm,”  she didn’t sound very convinced.  ”You need to emphasise that you’ve been doing all this while raising a family.”  I mention the carer support I’ve provided for my frail mother-in-law – “Oh, no. I wouldn’t mention that.”  So I don’t.  ”I think you need to change your mind-set.”  She suggests quite gently.  My mind-set?  It often feels like I have a set of minds.  I’m wondering how I promote the creative work I do with people who have all manner of mental distress and damage and loneliness – brain injury and bi-polar disorder, depression and anxiety.  None of this is sounding like a USP!  So my recent outing was for freelance work with a social enterprise linked to a Local Authority which has just scrapped most of its arts provision.  They want a creative freelancer to work with depressed and anxious people.  I attend an all-day interview set-up – deliver a workshop, buy my own lunch – answer their questions and don’t get the work.  This is all beginning to feel familiar.

What I really need is to become an aristocrat – and then I’ll assume such authority and confidence I won’t care and jobs and offers will fall into my rather ample lap.   Or maybe not.  My mother tells me recently that I’m middle-class – - and I simply roar with laughter.  She is bemused.  Your older sister and younger sister are doing so well……   All that time you’ve wasted….  I don’t envy my older sister’s life in rural Lincolnshire or her job as a Headteacher, nor my younger sister’s life – again in rural Lincolnshire.  She’s a Head of Media in a Grammar school.  I just want us to keep our house – not to be reduced to fear by John’s redundancy – to be able to see my lovely kids into the world full of confidence and hope – and be able to buy them all new shoes for school.


Why write if not for publication?

I am torn between the need to have my work published and feeling compelled to write irrespective of publication which is why I’m embarking on my third poetry collection with the second collection unpublished.  Indeed it seems bizarre to admit that I’m embarking on another collection because poems are written as individuals even when they are being created with a view to a narrative sequence.  This latest sequence (at least I can say that) is based on the story of Persephone but has Demeter centre stage.  I am increasingly fascinated by the idea of Mother in poetry.  I’ve read a lot of reputable poets claiming to be working towards things – eschewing the very idea of writing about something.  Perhaps it’s my limited intellect or industrial background or summat but I’m always trying to write about  something – if loss and love can be said to be something.  It was only as recently as June that  I sent part of collection 2 out for consideration.  And there’s no word yet.  Indeed, I’ll be astonished if it’s accepted.  Yet I believe in my work.  It is the truest part of me in some ways and so I continue to write without an audience, without a publisher, without a great deal of hope really.  Strange business and looks fearfully solipsistic which I find hateful.  I suppose I’ve lost some discipline and order especially since having the baby in 2010.  She’s thriving and needs care and while the domestic duties do not stop me from writing they force me to be realistic about my aspirations.  These are the following projects I have in mind at the moment:  Demeter sequence (4 poems completed – of upto 20, I think), How Men Really Love Each Other (completed second poetry collection), The Confessions of a Mad Woman (rewriting this when I can – and just become part of a novel-writing group to help with this), The Cat in the Wardrobe (a radio play – need a clear month to finish this), Geraldine’s Summer (a children’s novel – need about 6 weeks to finish this), The Tolerance Zone (crime novel – 1 of 4 planned), Rocky Road – short stories based on a fictional Liverpool community. Also have mental health projects coming up (which I’m doing just now as a volunteer because John is claiming benefits since his redundancy and I don’t want to put us in a worse financial position than we are already) and the organising work and editing for North End Writers (which can be very demanding – and again takes up my time).  I’m also trying to get paid work which makes everything feel precarious – as well as about to start a Diploma course which will mean commitment of 1 day a week for 2 years but which will give me qualified teacher status.  I never wanted to be a teacher but it’s a necessary qualification with the creative writing work now so I need it for employment purposes.  And of course my 6 children depend on me so trying to get paid work is essential (and it’s 5 months since my husband lost his job).  I don’t want to lose the house, obviously yet I continue to write even if it’s just for a few hours a week just now.  I must be mad.  I have some talent, I know but no entitlement.  I am underqualified for Uni posts and seem to be overqualified for everything else I try to get.  Some days, some middle of the night, it all seems a bit too tricky.  I need a Fairy Godagent or a miracle just now.


Resignations and resignation

The fourth estate and the Executive are now officially at war with Rebekah Brooks whose arrest is surely  an orchestrated manoeuvre so she avoids being questioned by the Select Committee.  What kind of country do we live in – where we have no proper local library provision unless there’s an abundance of local people well-off enough or angry enough to provide it voluntarily – where we even have police stations staffed by volunteers (a kind of virtual police station that keeps office hours…) – and yet the press spy on politicians and pay the police for information – where everything can be bought and sold if you have the means.  And apparently the Green party is furious with the Beckhams for daring to have a fourth child – and the Poetry Society is at war having ousted its fine and energetic director – the good seem to resign and the baddies hang on to power until the whole bloody building collapses.  What on earth will we discover next about our Eton educated millionaire guardians of democracy?


Stationery Love Songs


i.            Pencil
 
I long to find you, push
my dreams along your skin
in curves, sharp lines, crossings,
commas, dots
I stroke your body
with my gentle words
each line I draw
diminishes my strength.
I turn,
press my point
how you relinquish
yourself
in silent obedience,
your pale complexion
receives my body,
transubstantiates;
your roots of the earth,
mine of an older form.
We bring forth drafts,
messages,
pages becoming pages
books pressing hard together
on library shelves.
 
 
ii.            Ink
 
I balance myself
like human milk
in small breaths.
I am your
liniment.
You think me
promiscuous,
consume me so tightly
I cannot breathe.
I am airless, struggle
to be free, to bleed ransom
notes, registers, signatures.
 
 
iii.            Pen
 
I confess you have been in my heart
for no good reason, since I was formed.
I am compelled to reach you
in your cold bed.
I draw you into me,
my scalpel thirst unremitting.
You pour from me like a wound
in dots, letters, words, sentences,
parentheses of unrequited love.
 
 
iv.            Paper
 
Feel my innocent expanse
spread out before you
open to your soft touch
you can sketch your ambitions
on me, head to foot.
Pierce me with your sharp instruments,
oh, my cartographer
show me small England.
Place your hemispheres
across my broken heart.

Silence and Forgetting

I’m going to a Memory Group meeting this Thursday – to meet a group of people and their partners who are starting to live and cope (or not) with dementia.  This is the second time I’m to meet them following a very successful first encounter when we shared our thoughts and memories about poetry.  I don’t want to approach it as though it’s a workshop as the purpose is to help people communicate and feel supported and connected with others.  And though memory is such an important part of human relationships, forgetting is a slightly different process to losing memory.  I have been thinking a great deal about this – and silence lately as I was sent the book On Silence by Sara Maitland.


redundancy

My daughter wants a bass guitar and asked me if it’s wrong of her. Of course not I reassure her.  Or myself.  ”But we can’t get one can we?”  No, I tell her.  We don’t know what we’re doing just now because Dad has just lost his job.  I want to be honest but don’t want her to know too much, to panic.  My daughter is quite a cool and logical customer.  And she loves music.  At 12 she’s just become part of a band in school and they want her to be the bass player.  I tell her I think that’s great.  ”But how can I be the bass player if I can’t get a guitar?”  ”We’ll have to try and borrow one or get one second-hand until we know what’s happening.”  ’Where from,” she asks.  ”I’ll think of something,” I say confidently.  I haven’t the first clue but need some time.  She’s not convinced. “There’s no point me wanting this is there? It’s not going to happen.”  ”I’ll try and win a poetry competition,” I declare.  (This is a real measure of desperation but my daughter doesn’t know it.)


not sleeping

Am possessed with the need to work.  Not sure if it’s because my husband (or rather his job) has just been made redundant and I’m worried we could lose the house.  So, I’m launching on a bid to do as much freelance work as possible which will mean leaving the baby with her Dad.  She’s just 11 months and I don’t want to leave her.  Nor do I want to wallow in self-pity.  I’ve applied for a couple of jobs but they would mean me giving up writing effectively.  I’ll need to feed the baby soon so I’ll go and sleep for a couple of hours.

Might then be able to sort my thoughts a little better.


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